The evidential power of beauty
THE MOST REVEREND CHARLES J. CHAPUT, O.F.M. CAP
CatholicEducation.org
We might consider several lessons from creation this week as summer begins and life starts to briefly slow down.
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Archbishop of Philadelphia
Charles J. Chaput, O.F.M. CAP. |
– Dostoyevsky, The Brothers Karamazov
"Late have I loved thee, Beauty so old and so new; late have I loved thee.
Lo, you were within, but I was outside, seeking there for you, and upon the
shapely things you have made I rushed headlong — I, misshapen. You
were with me, but I was not with you. They held me back far from you,
those things which would have no being, were they not in you."
– Augustine, The
Confessions
A friend once told me the story of how she first met God. She doesn't
remember her age; it must have been about 4 or 5. Her family lived in
the countryside on the rim of one of our big eastern cities. And one
June evening, cloudless, moonless, with just the hint of a humid breeze, her
father took her out into the back yard in the dark and told her to look up
at the sky.
From one horizon to the other, all across the black carpet of the night, were the stars — thousands of them, tens of thousands, in clusters and rivers of light. And in the quiet, her father said, "God made the world beautiful because he loves us."
That was more than 50 years ago. My friend grew up and learned all about entropy and supernovae and colliding galaxies and quantum mechanics and the general theory of relativity. But still, when she closes her eyes, she can see that carpet of stars and hear her father's voice. God made the world beautiful because he loves us.
Creation is more than an accident of dead matter. It's a romance. It has purpose. It sings of the Living God. It bears his signature.
The story of my friend offers several lessons we might consider this week as summer begins and life starts to briefly slow down.
First, the most powerful kind of witness doesn't
come from a classroom or pulpit. It doesn't need an academic degree or
special techniques. Instead, it grows naturally out of the lives of
ordinary people — parents and spouses and friends; people confident in
the love that God bears for them and eager to share it with others; people
who know the world not as a collection of confused facts but as a symphony
of truth and meaning.
 We need to be silent, and watch and listen. And then we need to join in nature's symphony of praise. |
Second, nature is sacramental. It points to things outside itself. God speaks and creation sings in silence. We can't hear either if we're cocooned in a web of manufactured distraction, anxiety and noise. We can't see the heavens if our faces are buried in technologies that turn us inward on ourselves. Yet that's exactly what modern American life seems to promote: a restless and relentless material appetite for "more," that gradually feeds selfishness and separates each of us from everyone else.
Third and finally, every experience of real beauty leads us closer to three key virtues: humility, because the grandeur of creation invites awe and lifts us outside ourselves; love, because the human heart was made for glory and joy, and only the Author of life can satisfy its longings; and hope, because no sadness, no despair, can ultimately survive the evidence of divine meaning that beauty provides.
If the world we see taking shape around us today in the name of a false freedom often seems filled with cynicism, ugliness, little blasphemies and sadness, we need to ask why. And then we need to turn our hearts again to the God of beauty — Augustine's "Beauty so old and so new" — who created us, who sings his longing for us in the grandeur of the world he made, and who renews our souls.
God lives in the summer rain, the stars in the night sky, the wind in the leaves of the trees. He speaks to us through a creation alive with his love. We need to be silent, and watch and listen. And then we need to join in nature's symphony of praise.